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November 2018


From the Director:

One hundred years ago this week, an armistice was signed in a railway carriage in Compiegne. It brought to an end a four-year was expected, in August 1914, to be 'over by Christmas', but which went on to kill sixteen million people and herald unprecedented social and political change. 

Seventy years after the armistice, authors Richard Curtis and Ben Elton presented their take on the events of 1914-18. Familiar characters from previous Blackadder series were thrown together in a Flanders trench to create a classic TV sitcom adored by millions and repeated on-screen regularly to this day. 

Despite its popularity, some historians, social commentators and even politicians have criticised Blackadder Goes Forth for presenting an over-simplified, trivialised and even disrespectful view of a war that was anything but comical. They ask: 'doesn't think kind of "dramedy" denigrate the values of patriotism and courage and take a cheap political shot at the shambolic leadership of an out-of-touch elite'?

Hmmm... food for thought. 

As the director of this stage version of the show and one who is profoundly grateful for the sacrifices made by so many for so many millions of benefiting future generations, let me offer an alternative point of view. 

Comedy's prime function is to make us laugh, of course, but its use as a legitimate means of delivering a serious and otherwise hard-to-take message goes back to the ancient Greeks. For Shakespeare, it became an instrument for exploring sensitive areas of human existence and 'black comedy' or 'gallows humour' helps make light of heavy subject matter otherwise too painful to discuss seriously at length. Isn't it an honest expression of strong emotions that might otherwise elude political discourse? A kind of coping mechanism allowing us to reflect on events that just should not have happened? 

Bad taste in humour surely occurs when its aim is to inflict cruelty rather than respect. When Blackadder goes forth he exposes not only the horrors and futilities of trench warfare but also the indomitable spirit of the common man. 

This production by Harlow Theatre Company is presented both to entertain and to commemorate the heroes and she-roes. With a little sugar to help the medicine go down, it's good to remember and to tell the story for those who can no longer speak it themselves. 

Cast List

Captain Edmun Blackadder - Clive Weatherly

Private S Baldrick - Paul Stephenson

Lieutenant Hon. George Colthurst St. Barleigh - Alan Grant

Captain Kevin Darling - Paul Johnson

General Sir Anthony Cecil Hogmanay Melchett - Leo Appleton

Driver Private Bob Parkhurst - Carrie-Lee Stevens

Brigadier Sir Bernard Proudfoot Smith - Helga Kilroy

Nurse Mark Fletcher Brown - Lisa Gould

Clerk-of-the-Court and Private Fraser - Jorge Frutuoso

Private Robinson and the (Red) Baron von Richtofen - Jake Hannam

Sergeant Jones and Squadron Commander Lord Flashheart - Jody Randall




Production Team

Director – Barry Bowen

Musical Director - Paul Stephenson

Production Manager - Helga Kilroy

Set Design –  Brett Stevens

Lighting Design –  Tom Richards

Sound Design – Paul Johnson

Costume Design –  Jocelyn Johnson

Properties – Barry Bowen, Paul Johnson, Helga Kilroy

Art Design – Paul Johnson

Stage Manager – Sam Stevens

Set Construction: Brett Stevens, Steve Dove, Mel Guest, 

Izzy lacey, Jon Chinsky, Rob O'Keefe, Keith Mardell

Production Photography - Mel Guest

Marketing – Mel Guest and Paul Johnson

Props Manager - Marcie Appleton


Acknowledgements: We would like to thank our sponsors for their support throughout 2018.

We also gratefully acknowledge the assistance and support of Milton Keynes Theatre of Comedy, Paul, Cate and Izzy Lacey, Don Johnson and Graham Wallin. 


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